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ملف:Buddhists As Slaves in Slow-cart Country.jpg
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ملخص
الوصفBuddhists As Slaves in Slow-cart Country.jpg |
Myths & Legends of China By E.T.C. Werner H.B.M. Consul Foochow (Retired) Barrister-at-law Middle Temple Late Member of The Chinese Government Historiographical Bureau Peking Author of “Descriptive Sociology: Chinese” “China of the Chinese” Etc. With Thirty-two Illustrations In Colours By Chinese Artists George G. Harrap & Co. Ltd. London Bombay Sydney In Memoriam Gladys Nina Chalmers Werner Page 7 Preface The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssŭ K’u Ch’üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV. This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths. Page 8 My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology—those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive—in short, a true, not a distorted image. Edward Theodore Chalmers Werner Peking February 1922 |
التاريخ | |
المصدر | http://www.gutenberg.org/files/15250/15250-h/15250-h.htm#d0e5806 |
المؤلف | By Chinese Artists |
ترخيص
Public domainPublic domainfalsefalse |
This image is now in the public domain in China because its term of copyright has expired. According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator. To uploader: Please provide where the image was first published and who created it or held its copyright. أنتَ أيضاً مُلزمٌ بتضمين وسم النَّطاق العامّ لتحديد السبب الَّذي يجعلُ من هذا العمل مِلكيَّةً عامةً في الولايات المُتحدة الأمريكيَّة انتبه إلى أن هذا العمل قد لا يقع في النَّطاق العامّ في البلدان حيث لا يكون حكم الفترة الأقصر نافذاً، والأمر سيان في البلدان التي لديها حقوق تأليفٍ ونشرٍ تمتد طوال حياة المُؤَلِّف ولمدة 50 عاماً بعد وفاته. هذه المُدَّة هي بالتحديد: 100 عام في المكسيك، و95 عاماً في جامايكا و 80 عاماً في كولومبيا، و75 عاماً في غواتيمالا وساموا، و70 عاماً في سويسرا والولايات المُتحدة الأمريكيَّة و60 عاماً في فنزويلا
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العناصر المصورة في هذا الملف
يُصوِّر
1922
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